More than a century after H.G. Wells' original story, and 15 years after Steven Spielberg's version, do we really need another War of the Worlds?
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We review The Call and Mank.
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We've made the ultimate explainer for what happens at the end of The Call. There are pictures and everything.
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Mosul is a war movie without any white-saviours, big wins, heroic moments, big showdowns, or big villains. And it works. Oh so very well.
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Despite being a remake of a remake, The Call on Netflix, with its tight storytelling and great performances, still manages to surprise.
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The Beast is as "generic" an action movie as you're likely to watch. Lead actor Fabrizio Gifuni, however, just about manages to elevate it to "gripping."
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American Murder: The Family Next Door is a documentary about a fairly straightforward crime, but told in a very 21st century way.
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We review Jiu Jitsu and The Christmas Chronicles 2.
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With Chris Columbus at the helm, this movie should have been a step up. It's not.
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Behold, next year's Oscar winner for Best Animated Short Film.
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Pharrell and his uncle build the world's best gospel choir!
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Can Alien Xmas join the ranks of stop-motion Christmas classics?
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We review The Liberator, The New Mutants, and The Crown.
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Wait... there's another one?
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Let's re-invent television by going back to the way things were.
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The Crown returns to Netflix for a fourth season that is every bit as enjoyable as the previous three, and yet still manages to surprise.
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We review Industry, Paranormal, Dash & Lily, and Hillbilly Elegy.
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A pacey, thrilling, and very well-produced manga adaptation.
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Holiday movie or military recruitment ad?
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Ron Howard spins another fantastic yarn, this time about white, working-class America and the struggle to escape their past.
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