We speak to Gina Prince-Bythewood about what it took to bring The Old Guard to our screens.
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Crazy Delicious tries very hard to be quirkier and wackier than anything else on television. It should have just focussed on the cooking.
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If you're looking for a deep-dive-storyline-breakdown article, this isn't it. But if you've never seen Netflix's Dark, then this is the list for you.
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Don't let the meme inspiring comedy and vulgarity put you off. Rick and Morty is one of the smartest shows on television.
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In Netflix's new comedy, Eurovision Song Contest: The Story of Fire Saga, Will Ferrell is a man-baby in yet another movie with an overstuffed title.
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We review 7500, Ju-On: Origins, and I'll Be Gone in the Dark.
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The girls of Rio are back in season 2 of the show formerly known as Most Beautiful Thing, now titled Girls From Ipanema.
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The Politician returns for its sophomore season with even more plots, schemes, and backstabbings; only this time on a national stage.
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Too long, too repetitive, and too tedious to be fun.
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Netflix successfully refurbishes the long lasting J-horror as a terrifying new TV show.
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We review Artemis Fowl, Perry Mason, and Da 5 Bloods.
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Timely. Relevant. Important. Yet incredibly disjointed and messy.
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We review Stargirl, Queer Eye, The Last Days of American Crime, and The Vast of Night.
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We made a visual guide to help you figure out everything that's going on in The King: Eternal Monarch. You're welcome.
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We've come to the end of the series. Here are all the questions that still need answering.
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The Last Days of American Crime, Olivier Megaton's adaptation of a graphic novel by Rick Remender and Greg Tocchini, is an interminable bore.
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Why are South Asian Americans such good spellers?
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We review Central Park, Ramy, Somebody Feed Phil, and Spelling the Dream.
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With a feast of food focused reality TV options available, what is the secret ingredient that makes Somebody Feed Phil so damn tasty?
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