Mark Ruffalo proves, once and for all, why he is the greatest actor of his generation.
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Christina Applegate and Linda Cardellini are back in the sophomore season of Netflix's much lauded dramedy, but is there anywhere for the show to go after the reveals of the first season?
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Netflix only gave us the first six episodes of the second season of Rust Valley Restorers, but it's enough to get us invested in their world again.
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In this week’s episode of The Goggler Podcast, the boys review Amazon Prime's Upload as well as Netflix's Becoming and Into the Night.
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In this week’s episode of The Goggler Podcast, Bahir and Uma review the brand new, Damien Chazelle produced, jazz inspired, Netflix limited series.
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Netflix's latest international series, Into the Night, far exceeds it's B-movie concept to become one of the most gripping new series this year.
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In a time when everyone and his uncle has a Netflix comedy special, 23 Hours to Kill, is a great reminder of what a real one of those looks and sounds like.
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We speak with Jason Hehir, the director of The Last Dance, about making what is being touted as the final word on Michael Jordan and his Chicago Bulls.
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The Half of It takes the classic Cyrano de Bergerac story, puts a 21st century spin on it, and manages to keep it fresh, interesting and, most of all, fun.
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A charming reminder that everyone and anyone can cook. Even if you can't.
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This week, on the podcast, Uma, Iain, and Bahir break down everything that happened in the thrilling third season of Westworld.
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This Star Wars Day, Iain wonders what's next for the galaxy far, far away, and if it should take a lesson or two from series like the X-Men?
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In this week’s episode of The Goggler Podcast, the boys review Beastie Boys Story, Cooked with Cannabis, The Willoughbys, Circus of Books, and Hollywood.
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This is the Beastie Boys story as they fought for their right to party, not sleeping, surviving sabotage, and ultimately being intergalactic.
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Never Have I Ever is the sweet bingeable treat you were looking for this quarantine season.
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With its new "cartoony" style and apparent soft reboot premise, is the new Ghost in the Shell worthy of the Stand Alone Complex name, even if only in acronym form?
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