You know what? I didn't hate it.
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75 years on from the end of World War II, filmmakers are still finding new stories to tell. Can Netflix's The Liberator stand out from the crowd?
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Let's re-invent television by going back to the way things were.
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A star-studded, all-singing, all-dancing, jolly good time.
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We review Puteri Gunung Ledang.
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Netflix's latest Christmas romance is weaponised YA fare.
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In this second season of Philip Pullman's His Dark Materials there are more witches, more worlds, fewer polar bears, some Dust, and some dark matter.
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Walt Disney Animation's Fantasia turns 80 this year and Bahir decided to take a look back at all the dancing fairies, and elephants and classical music.
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We recap the third episode of the second season of The Mandalorian.
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As Discovery's crew finally reach Federation HQ, Bahir and Iain are standing by with this episode's debrief.
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The Crown returns to Netflix for a fourth season that is every bit as enjoyable as the previous three, and yet still manages to surprise.
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We review Industry, Paranormal, Dash & Lily, and Hillbilly Elegy.
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A pacey, thrilling, and very well-produced manga adaptation.
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Beautifully observed and cleverly constructed, Moonbase 8 is full of comedy potential. So where then were all the laughs?
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Holiday movie or military recruitment ad?
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Ron Howard spins another fantastic yarn, this time about white, working-class America and the struggle to escape their past.
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Refaat is a man of science who doesn’t believe in ghosts or the paranormal. So why is he surrounded by ghosts and the paranormal?
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Ahead of the arrival of the fourth season of The Crown on Netflix later this month, we reflect on the appeal of Peter Morgan's royal drama.
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