This week, our Feisty Indian Aunty watches Netflix's Firefly Lane and thinks about what makes for a real, lifelong friendship.
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This week, our Feisty Indian Aunty watches the documentary Made You Look and decides if Ann Freedman is culpable for the biggest art scam in history.
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Earlier today, Bangi MP and fellow cinephile Ong Kian Ming started a Twitter thread urging the government to reopen cinemas. We couldn't agree more.
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This week, our Feisty Indian Aunty is absolutely terrified by Rosamund Pike's scheming in the Netflix movie I Care a Lot.
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Our Fiesty Indian Aunty, who is also a Feisty Indian Mother, reflects on Never Have I Ever and why watching it was a particularly moving experience for her.
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This week, our resident Fiesty Indian Aunty, who is also a huge magic buff, checks out Netflix's latest YA offering, Fate: The Winx Saga.
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This week, our resident Feisty Indian Aunty gets hot and heavy with Bridgerton. It's like every Tamil movie she's ever seen. Only with more sex.
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Behold, the first instalment of our new weekly column in which a Fiesty Indian Aunty watches and critiques movies and TV.
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With 2020 coming to a close, Uma pulls together his list of top 3 movies of the year, his honourable and dishonourable mentions, and the movies he's missed.
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With 2020 coming to a close, Bahir puts together his top 3 list of movies of the year, his honourable and dishonourable mentions, and movies he's missed.
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With 2020 nearly over, Iain looks back on his favourite 3 movies of the year, ading in some notes as well as the traditional airing of grievances.
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We've made the ultimate explainer for what happens at the end of The Call. There are pictures and everything.
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Let's re-invent television by going back to the way things were.
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We pay tribute to the legendary Sean Connery.
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Netflix felt the need to add a disclaimer before every episode of A Suitable Boy. It is idiotic, pointless, and downright insulting to its source material.
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The comics crossover event NO ONE was clamouring for, My Little Pony/Transformers is more faithful, and enjoyable, than it has any right to be.
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A movie that has bold ideas but suffers by being a tedious, muted (in every sense of the word), slog.
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"Make no mistake, Interstellar is a mediocre movie maddeningly marred by moments of artistry."
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With Tenet mere weeks away, Bahir makes the argument that The Prestige was the end of one era of Nolan, and Inception the start of the next.
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In anticipation of the final release date of Christopher Nolan's Tenet, we're revisiting his past works. To kick things off, Iain explores Nolan's first three full length features: Following, Memento, and Insomnia.
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