After a glut of post-apocalyptic adventure movies for young adults, Love and Monsters does more than enough to stick out from the crowd.
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With Zack Snyder's Justice League scheduled for release in mere days on HBO Max and HBO Go, here are 25 things WE want to see in The Snyder Cut.
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To All the Boys: Always and Forever, the final entry in Jenny Han's trilogy, is now on Netflix, and we have serious questions about Lara Jean's list of Peter's favourite movies
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A year after all the hot takes, is Cats a misunderstood classic, or is it really as "bad" as they say? Iain revisits Tom Hooper's reviled musical adaptation.
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A movie that has bold ideas but suffers by being a tedious, muted (in every sense of the word), slog.
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"Make no mistake, Interstellar is a mediocre movie maddeningly marred by moments of artistry."
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With Tenet mere weeks away, Bahir makes the argument that The Prestige was the end of one era of Nolan, and Inception the start of the next.
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In anticipation of the final release date of Christopher Nolan's Tenet, we're revisiting his past works. To kick things off, Iain explores Nolan's first three full length features: Following, Memento, and Insomnia.
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This Star Wars Day, Iain wonders what's next for the galaxy far, far away, and if it should take a lesson or two from series like the X-Men?
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Iain checks out the documentary on 1996's The Island of Doctor Moreau, director Richard Stanley's last film before Color out of Space.
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In the latest entry in our Richard Stanley retrospective, Iain takes a look at the South African director's second film: Dust Devil.
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As the GSC's Pavilion KL branch closed permanently this February 17th, Iain looks back on his history with his "local" cinema.
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Find out how Iain, Bahir, and Uma fared with their Oscar predictions.
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As Studio Ghibli's back catalogue comes to Netflix outside the US, Canada, and Japan, Iain revisits Laputa: Castle in the Sky.
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Ahead of Sunday's Academy Awards, Uma looks at 1917's chances of winning the Best Picture Oscar.
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Ahead of Sunday's Academy Awards, Bahir looks at Parasite's chances of winning the Best Picture Oscar.
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Ahead of Sunday's Academy Awards Iain states his case for why Jojo Rabbit should win the Best Picture Oscar.
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The force is with you, always. Iain recounts his so-called-Star-Wars-life ahead of The Rise of Skywalker.
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There are the movies, there are the spin-offs, and then there is all the "stuff". There's just so much "stuff".
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Why the heck is everyone being so mean to Rian Johnson?
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